Wednesday, December 1, 2010
It’s been an almost 20-year journey for Jim Heath, aka the Reverend Horton Heat, whose country-flavored punkabilly and onstage antics have brought him and his band a strikingly diverse fan base and a devoted cult following, not to mention the respect of fellow musicians worldwide.
Undeniably, The Reverend Horton Heat, aka Jim Heath, is the biggest, baddest, grittiest, greasiest, greatest rocker that ever piled his hair up and pounded the drinks down. Without question, for all of his outlandish antics, blistering stage performances and legendary musical prowess, the one thing The Rev always gets asked about is the story behind his unusual and rather clerical moniker. "Well, there used to be this guy who ran this place in Deep Ellum, Texas who used to call me Horton- my last name is Heath," says The Rev. "Anyway, this guy hired me and right before the show he goes, "Your stage name should be Reverend Horton Heat! Your music is like gospel" and I thought it was pretty ridiculous. So I'm up there playing and after the first few songs, people are saying, "Yeah, Reverend!" What's really funny is that this guy gave up the bar business, and actually became a preacher! Now he comes to our shows and says, "Jim, you really should drop this whole Reverend thing."
It's been an almost 20-year journey for Heath, whose country-flavored punkabilly and onstage antics have brought him and his band a strikingly diverse fan base and a devoted cult following, not to mention the respect of fellow musicians worldwide. Revival, the band's first release for Yep Roc Records, is a return to Heath's roots - musical and geographical.
The album was recorded at Last Beat Studio in the Deep Ellum area of Dallas, just a block from where The Rev played his first gig and next door to where the group currently rehearses. Along with eating a lot of world-class Mexican food and BBQ, the band recorded the album's 15 tracks with a minimum of overdubs, bells and whistles. With tour manager/engineer Dave Allen at the board, they wanted an album they could duplicate live.